At Least the 'Mad Men' Fan Videos Have Some Life in Them

While I was disappointed by the same-old, same-old season five Mad Men promos AMC has released, I decided to satiate my desire for new Mad Men material by hunting around on YouTube for some Mad Men-themed videos that contain some real emotion, that have real life in them, which means, of course, that they've been made by fans.

One video that I especially enjoyed was by 7Kell Productions (above) which focused on the Don and Betty Draper relationship. (While there are many Betty haters out there, I am not one of them, at least as far as seasons 1-3 are concerned.) The video chronicles the circuitous path the duo took during the show's four seasons, from moments of domestic bliss, longing and betrayal, to the complicated business of being divorced parents. (If you ask me, I think that Don would drop any woman he was with in order to reconnect with Betty, who represented an idealistic dream to him -- one he didn't quite think he deserved -- but whether he'd remain monogamous with her is an entirely different story.)

Then there's "Don Draper Undone" by EditorLosAngeles (above), which heightens the dramatic rivalry and power struggle between Don and Pete Campbell, the only one, aside from Betty, who knows the truth about Dick Whitman.

This video by MovieExtra deftly captures the rampant sexism and harassment, as well as the lame attempts at seduction by the various, moronic men of Mad Men.

On the more serious side, there's this black and white, deeply moody Don and Peggy video that depicts how desperately lonely the pair are for an authentic, emotional connection with someone and how, despite their rocky relationship, they've remained loyal to one another. Heavily reliant on scenes from the outstanding "The Suitcase" episode from season four, the video openly hopes that Don and Peggy will take it to the next level, suggesting that Peggy pines for Don. I don't think she really pines for him and believe that a romantic pairing between those two would be disastrous.

Are there any fan-made Mad Men videos out there that you really like that you really like?

'Mad Men' -- Hands and Knees

Image credit: Michael Yarish/AMC

*Warning – Spoilers ahead from the recent episode of Mad Men.*

Weaknesses. And lies. Weaknesses compounded by lies. This “Hands and Knees” episode had all of this in spades.

Chief among them were Don’s lies, which became relevant again as Don feared that the feds would find him and send him to prison because he’s not who he says he is. Uncharacteristically, this prompted Don to have a panic attack in front of Faye, which, all and all, was acutally good for him because it prompted him to be honest to her about the fact that he’s living under an assumed name. (Don’s having a really, REALLY crappy year, don't you think?)

Related to Don’s lies is the fact that slimy Pete Campbell knows about them. So when the feds started sniffing around in order to provide security clearance for people at Sterling Cooper Draper Pryce to work on the North American Aviation account, Don, fearing his Dick Whitman past would catch up with him, applied enormous pressure on Pete to lie on his behalf about “losing the account,” or else Don said Pete would have to try to run the company without him.

As Pete sat up late at night mourning the fact that he was going to have to “lose” the $4+ million client he’d landed after years of wooing and he complained about the burden the “honest people” have to shoulder for their ethically challenged brethren, Pete ironically took his pregnant wife Trudy in his arms, with her completely unaware of the fact that he had a gigantic lie he was hiding, that he had a baby with another woman years ago. The following day, Pete withstood a verbal flogging from Roger for "losing" North American Aviation because of his own inattention.

Don’s lies have even longer legs as they also affect Betty even though she’s now married to Henry. She protected Don by not telling the feds who showed up from the Defense Department what she knew about who her ex-husband is. The fact that Betty knows about Don’s identity fraud and hasn’t shared it with Henry, who has lofty political ambitions of his own, could cause a problem for her down the road.

Joan’s weakness, her Achilles heel, is Roger. She and he cheated on their spouses together. Joan got pregnant from their post-mugging incident in the alley and decided to have another abortion to avoid what she called “a tragedy” because she’d been apart from Greg for too long for it to be his baby, which was highly ironic given that she’d been anxious to have a baby with Greg and now he’s been deployed to Vietnam.

Image credit: Michael Yarish/AMC

Roger’s weakness is, conversely, Joan, however his getting Joan pregnant jeopardized his marriage to Jane. (“What kind of man are you?” the doctor, who was going to hook Joan up with someone who’d give her an illegal abortion, said to Roger. “You’ve used this woman . . . A man of your age, only slightly younger than myself, that you could behave with such selfishness, such irresponsibility.”)

A corollary to Roger’s frailties is the fact that Sterling Cooper Draper Pryce’s huge weakness is the fact that without Lucky Strike, the company could fold, go bankrupt. Lucky Strike – the company Don once said “could put out our lights” -- is Roger’s big raison d’etre, without it, he’s just the guy who inherited his company from his dad. God, Roger might have to actually do some work in the month that he has before he has to tell his colleagues the Lucky Strike account is history.

Then there was poor Lane, poor, poor Lane. How depressing is it to see a man of his age so fearful of his stuffy, judgmental, violent, bullying father, the senior citizen who walks with a cane. Lane's father arrived at Sterling Cooper Draper Pryce, instead of Lane’s son, to inform Lane that he was there to take him home to London to be with his wife and family. However Lane’s now in love with Toni, who works as a costumed waitress at the Playboy Club, but didn’t come right out and tell his father about the fact that he’s dating not only a waitress, but a woman of a difference race. This brought Lane face-to-face with his weakness: That he’s still a child who’s cowed by his father, who allowed his father to strike him in the head with a cane (drawing blood) and threaten to crush his hands with his shoe while Lane was lying on the floor in pain, crying uncle, as Don did in the face of Duck's fists. The physical bullying to make Lane get his “home in order” did the trick as Lane promptly told the other SCDP partners that he was taking a leave of absence to go to London.

So, just when things were starting to look up for the folks around SCDP – Don was getting healthy and cutting back on drinking while seeing his children and having an adult relationship based on trust with Faye; Roger was married and not cheating (up until last week); Pete and Trudy were expecting a baby and Lane had helped build a solid company – now everything seems precarious. It apparently takes very little to send all of their houses of cards to come crashing down on top of them.

But I must admit, I was half expecting Faye to help Don come clean, to turn himself in so he could indeed stop running, as he said he wanted to. I feel like Matthew Weiner is hinting that Don’s going to have a big, humiliating public exposure of his big lie, or will need to, in order for him to go forward. Or maybe I’m reading too much into it. Don’s luck seems like it’s going to run out, soon, but after he takes Sally to see the Beatles.

Image credits: Michael Yarish AMC.

'Mad Men:' The Suitcase (Otherwise Known as When Peggy Became Anna, Sort Of)

*Warning: Spoilers ahead from the recent episode of Mad Men.*

We always knew that Peggy and Don had a special relationship. They both have deep secrets that they’ve only partially shared with one another . . . which is more than they’ve shared with others.

Don knows all about Peggy’s secret pregnancy, her involuntarily mental commitment and didn’t care. He still wanted her to work for him and was determined to pretend as though her whole pregnancy and her denial of the pregnancy, never happened.

Therefore he trusted her, trusted her when he and Bobbie Barrett got into a booze-fueled car wreck and Peggy not only bailed them out but let Bobbie stay in her apartment until her bruises faded. He chased Peggy down and begged her to work at Sterling Cooper Draper Pryce, saying that if she didn’t work for him he’d spend his whole life trying to hire her. He also added that little chestnut about how he sees himself in Peggy and that’s why he’s as hard on her as he is on himself.

For her part, Peggy felt indebted to Don for not only plucking her from the secretarial pool and christening her as a copywriter, but for keeping her secret and not treating her with sexist kid gloves.

That was all backstory for this strangely intimate episode, “The Suitcase.”

“I got drawn into his web,” Peggy said, explaining to Mark why she was going to be late to their dinner after Don pressured and berated Peggy into staying at the office with him. Don may have or may not have realized that he was doing anything he could to get Peggy -- who’s very susceptible to Don’s guilt trips -- to stay in his company for the evening, including revealing things about himself personally (about being a farm boy, about his father, about Uncle Mac, about Korea), so he wouldn’t have to face the fact that he would have to call Anna’s house in California and be told that Anna ("the only person in the world who really knew me") had died, something which broke his heart, left Dick Whitman feeling completely alone.

At first, the tension was over the fact that Peggy wanted to leave and Don didn’t want her to. To be fair, Peggy didn’t tell Don until she was an hour late for Mark’s surprise dinner for her, that it was her birthday and she had dinner plans. When Don learned that she had plans, he got all snippy and nasty but told her to go, though he clearly didn’t want her to. Only thing was, Peggy didn’t really want to go. She didn’t want to have dinner with Mark and her family. What she wanted seemed a lot closer to what Don was looking for that night, even as she was verbally lashing back at Don, giving as good as she got from him.

This all seemed like one big test for Peggy who, three times during “The Suitcase,” had men telling her that the money spent on her or handed to her (whether in the form of a salary, a set of phony business cards or a dinner in a nice restaurant) meaning that she owed them something, a notion she rejected on all three accounts.

What DID move Peggy wasn’t people telling her exactly how much they’d spent a lot for a shrimp cocktail, it was when people demonstrated that not only did they trust her and have enough confidence in her to treat her like a smart, professional woman, but also had the wherewithal to back up what they were saying. (Duck’s empty promises of making her a creative director were all just a pretense to get her into bed again. The petulant Mark used her birthday as a tool to ingratiate himself with Peggy’s mother, regardless of what Peggy may have wanted to do to celebrate her day.)

Don -- mired in the depths of his personal alcoholic rock bottom -- argued with Peggy (who was unafraid of telling him off, accusing him of stealing ideas while drunk and not sharing credit) and made her cry in a way that reminded me of a big brother-little sister relationship. However Don also built Peggy up by telling her she’s smart and “cute as hell,” but not because he was trying to get sex out of her. Peggy also knows that Don is not going to impulsively give her her walking papers if she breaks dinner plans. He’s not going to call Peggy a whore, even when he asks her if she knows who the father of her baby was and he learns that Peggy’s mother thinks it was Don. In fact, I doubt Don would sever the relationship with Peggy (she’s the one who threatened to do so when Don didn’t ask her to join SCDP, he initially told her to). Their odd relationship can withstand fighting and tears, like some kind of strong, albeit somewhat dysfunctional marriage.

Come to think of it, that little grasp of the hand at the end of the episode, where Don touched Peggy’s hand after asking her not to criticize his ideas for the Samsonite campaign (although he’d been pretty brutal to her ideas the previous night), seemed like an indication from Don that what he wanted from Peggy wasn’t sex – which he could get from anyone -- it was a real, emotional connection which he sought, like what he shared with Anna. Despite his put-downs of Peggy, which seem to worsen as his feelings of self-hatred increase, Don trusts Peggy with secrets, like the OUI arrest and that his dad was killed by getting kicked by a horse. He didn't trust Betty that way. Which is why, as Don lost the one woman on earth whom he felt truly knew and loved him despite all his frailties, he clung to Peggy, the new Anna.

There were more than a few moments of weirdness in “The Suitcase:”

Weirdest Moment I: “Why is there a dog in the Parthenon?”

Weirdest Moment II: Listening to Sterling’s Gold tapes about Bert Cooper and “the queen of perversions” Ida Blankenship (!) and the removal of Cooper’s testicles.

Weirdest Moment III: Duck wanting to leave a “present” for Don and Don then crying “uncle” when Duck had him pinned. So much for Don the tough guy who clocked Jimmy Barrett in the face.

Come to think of it, the entire episode was saturated in boxing analogies, with the Liston-Ali fight as the jumping off point. When Liston went down shortly after the match began and all the folks in the bar were yelling, “Get up,” I kept thinking that that’s how I felt about Don. I wanted someone to yell at him to get the hell up off the mat, stop staying uncle, stop wrecking his career and sabotaging every relationship he has left. Get up off the mat Don.

Image credit: Michael Yarish/AMC.

'Mad Men' Monday: The Gypsy and the Hobo

*Warning, spoilers ahead from the recent episode of Mad Men.*


I don’t entirely trust Don Draper and how he reacted to being caught in his web of lies as his carefully crafted image was smashed to smithereens by his wife. When I watched “The Gypsy and the Hobo,” after a tough-as-nails Betty called Don on the carpet and refused to back down in the face of his attempts to bully her, I kept wondering if Don and Betty were trying to play one another and whether an actual emotional connection was being formed between them as a realignment and a leveling of marital power was unfolding in front of my eyes.

Why so cynical? Several reasons, chief among them was that Betty had no reason to raise the issue of Don’s serial deceptions with an attorney unless she was seriously considering divorce, particularly in the wake of Don asserting financial control over her, refusing to give her more money when she knew for a fact that stacks of cash were sitting in his desk. Betty doesn’t usually respond well to feeling like someone’s made a fool of her. At the end of season one, she told her therapist that she knew Don was cheating on her, but didn’t directly confront Don. The reason she tossed Don out of the house in season two was because Jimmy Barrett told her Don and Bobbie Barrett were sleeping together and Betty felt publicly humiliated, so much so that she vomited shortly after Jimmy told her. When Don tried to make her feel as though she was an idiot and fabricating a Don-Bobbie affair in her head, she booted him.

When Betty learned from the Hofstadt family attorney that if she sought a divorce she’d get nothing, could lose the kids and everything else to Don unless she could prove his infidelity, I got the distinct impression that Betty started mulling how she could accumulate evidence to hold over his head and use at her convenience. Now she’s confirmed that Don broke the law, stole someone’s identity, went to California during his marriage to Betty to stay with his ex-wife Anna, plus Betty knows about Bobbie and has a witness in Jimmy Barrett, who hates Don.


When Don was cornered and ‘fessed up about the tragic truth of his family background, Betty tentatively put her arm on his shoulders to indicate that she isn’t without compassion. But regardless of Don’s tears, I think Betty’s going to continue to compile a dossier of information about his misbehavior, just in case. Betty’s so miserable, so betrayed, so tired of Don’s lies that I could definitely see her trying to get Don’s money and attempt to keep her parents’ home for herself so she could start over, maybe with Henry Francis, someone who’d trust her with his heart and wouldn't erect walls of deception between them.

My husband, however, argued that Betty’s decision to accompany Don and the kids trick-or-treating is an indication that she’s going to find a way to make peace with all of this, now that the power dynamic between Don and Betty has now been leveled. Don has to take Betty seriously because she has information that could destroy him. I’m just not as certain of Betty’s desire to remain married to Don as my husband is. In season two, for example, I don’t think Betty would’ve let Don back in the house had she not been pregnant. If she learns about Suzanne Farrell, I think it’s curtains for the Drapers.

As for Don, when he was caught with his box of deceit, I kept wondering if he was simply executing a hastily-made, desperate pitch to try to convince Betty of his sincerity amid his tears and throw himself at her mercy. Think about the way in which he revealed his personal backstory and his emotions to Betty as compared to how he came clean with Rachel Menken in season one. The post-coital revelations to Rachel were genuine, from the heart. His emotions weren’t manufactured and had no ulterior motive other than in forging an emotional connection. He’s held Betty at arm’s length and hasn’t been honest with her because he didn’t have enough faith in her love to tell her the truth, whereas he trusted Rachel. With Betty, he had to be compelled to tell the truth, once she had the hard, cold evidence. Don wouldn’t have come clean willingly because he’s never really let Betty inside, as he admitted to Anna Draper last year, yet he’s been willing to allow at least two of his mistresses, including Suzanne Farrell, closer to him than his own wife.
 
While his tears were real, as were the regrets about his brother and the shame he feels about his conception and lineage, I don’t foresee Don suddenly feeling comfortable with being himself with Betty as he has with Rachel and Suzanne. He seems like he simply wants to preserve his hollow, stolen identity, no matter what.


Another reason why I’m suspicious about Don’s sincerity is because when Suzanne asked him if he’d called to tell her he couldn’t see her anymore, his response was, “Not right now. No.” Was he telling her that they had to cool things temporarily until Betty gets less wary, or was he really breaking it off?

However I must say that Don’s dramatic dropping and releasing of his clenched fist in which he held the keys to his desk drawer and all his secrets after Betty said she knew what was inside, the tears he shed over Adam, all made Don seem like a shattered soul. (Jon Hamm was fantastic.) The next morning, though, with his suit of armor back on, it was hard to tell if this event will really fundamentally transform the Draper marriage.

What do you think? Were Don and Betty were being sincere with one another and do they really wish to make their marriage work, or do you think one or both of them is playing games? Will this change anything?

Image credit: Carin Baer/AMC.