Before the Academy Awards aired, the New York Times ran an op/ed where the writer asked whether it's about time for awards ceremonies like the Oscars and the Golden Globes to do away with the actor/actress categories and simply bestow awards for acting excellence. Kim Elsesser from UCLA’s Center for Study of Women wrote:
". . . separate is not equal. While it is certainly acceptable for sports competitions like the Olympics to have separate events for male and female athletes, the biological differences do not affect acting performances. The divided Oscar categories merely insult women, because they suggest that women would not be victorious if the categories were combined. In addition, this segregation helps perpetuate the stereotype that the differences between men and women are so great that the two sexes cannot be evaluated as equals in their professions."
Even though I was thrilled to see Kathryn Bigelow become the first woman to win a best director Oscar (in over 80 years) for her work on the excellent The Hurt Locker, you need to consider the context: Only a paltry 16 percent of the top 250 films from last year were directed, written or produced by women and of the 4,400 “speaking roles in 2009’s top 100 films, only about 30 percent were for women,” Reuters reported. Despite the fact that in the last year U.S. women bought 55 percent of all movie tickets, according to Women & Hollywood's Melissa Silverstein, women still are not yet equal to the men in Hollywood by nearly every measure you can think of.
My Mommy Tracked pop culture column this week asserts that we're a long way away from achieving gender equity when it comes to respecting women's work in the arts. "When women start taking home half the awards in the big gender neutral categories" that's when I'll be all in favor of ditching the actor/actress categories, I concluded.
What say you? Do you think that, if we got rid of gender-specific acting categories, women would best the men or get even half of the nominations?
Image credit: Paul Buck/EPA via The Guardian.
Showing posts with label The Hurt Locker. Show all posts
Showing posts with label The Hurt Locker. Show all posts
Wednesday, March 17, 2010
Is It Time to Get Rid of Gender-Specific Acting Awards Categories? Not Yet.
Monday, March 8, 2010
'Modern Family' Promo More Entertaining Than Oscars
Loved that The Hurt Locker won best picture. Found it refreshing and inspiring to see Academy Award winning director Kathryne Bigelow holding two awards, breaking Oscar's glass ceiling. Found myself cheering when I heard that a fellow journalist got an Oscar for penning the Oscar winning Hurt Locker screenplay. Eyes teared up when I watched the films of my high school years featured during an Academy homage to the late John Hughes.
But all in all, I was not a fan of the 82nd Academy Awards. As much as I like Steve Martin and Alec Baldwin -- Baldwin simply owns 30 Rock -- I found their performance last night to be just so-so. Only about a quarter of their jokes were amusing and their opening monologue (or is it duo-logue) dragged. Comparing the Oscars to the Golden Globe broadcast, I think Ricky Gervais was much more entertaining and cutting edge . . . because I hear that the Academy Awards folks were all into getting them there youngsters to tune in, what with them recruiting the Twilight stars (sans R.Pat.), Zac Efron's hair and the slouching teen known as Miley Cyrus to present awards. If you're reading, Oscar show people: I want Jon Stewart back.
And while, in theory, I like the personal touch of having someone who actually knows the men and women nominated in the best actor/actress categories say something specific about each nominee, by the time we got to that point in the show, it was annoying and it made a long show (ditch the dance number, this is not the Tony Awards!) even longer.
By the way, was anyone else, other than yours truly, confused by the weirdness that was the documentary short acceptance speech where one guy was speaking when a "Lady Kanye," as she's being referred to online, hijacked the mic? Well Salon got to the bottom of that and found out that there was indeed prior conflict over who was going to accept the Oscar in the event of a win because there was behind-the-scenes acrimony. Oh, the cut-throat world of documentary shorts.
I'm ashamed to say that I actually fell asleep and missed the last few big awards. That's what I get for failing to caffeine up. It was the Oscars, for God's sake, I should've known better than to go into it caffeine free. And when I went to watch the rest of the show on DVR, it cut off mid-way through Sandra Bullock's entertainting acceptance speech because the show went beyond the scheduled 11:30 p.m. ending. (Damn Helen Mirren. I knew I should've extended the taping time!) So I had to go to the Oscar web site and watch the remaining acceptance speeches there.
The most amusing thing I saw all night? The Modern Family promo where the characters had a movie-themed night of charades.
What'd you think of the Oscars, both the winners/losers and the show itself?
But all in all, I was not a fan of the 82nd Academy Awards. As much as I like Steve Martin and Alec Baldwin -- Baldwin simply owns 30 Rock -- I found their performance last night to be just so-so. Only about a quarter of their jokes were amusing and their opening monologue (or is it duo-logue) dragged. Comparing the Oscars to the Golden Globe broadcast, I think Ricky Gervais was much more entertaining and cutting edge . . . because I hear that the Academy Awards folks were all into getting them there youngsters to tune in, what with them recruiting the Twilight stars (sans R.Pat.), Zac Efron's hair and the slouching teen known as Miley Cyrus to present awards. If you're reading, Oscar show people: I want Jon Stewart back.
And while, in theory, I like the personal touch of having someone who actually knows the men and women nominated in the best actor/actress categories say something specific about each nominee, by the time we got to that point in the show, it was annoying and it made a long show (ditch the dance number, this is not the Tony Awards!) even longer.
By the way, was anyone else, other than yours truly, confused by the weirdness that was the documentary short acceptance speech where one guy was speaking when a "Lady Kanye," as she's being referred to online, hijacked the mic? Well Salon got to the bottom of that and found out that there was indeed prior conflict over who was going to accept the Oscar in the event of a win because there was behind-the-scenes acrimony. Oh, the cut-throat world of documentary shorts.
I'm ashamed to say that I actually fell asleep and missed the last few big awards. That's what I get for failing to caffeine up. It was the Oscars, for God's sake, I should've known better than to go into it caffeine free. And when I went to watch the rest of the show on DVR, it cut off mid-way through Sandra Bullock's entertainting acceptance speech because the show went beyond the scheduled 11:30 p.m. ending. (Damn Helen Mirren. I knew I should've extended the taping time!) So I had to go to the Oscar web site and watch the remaining acceptance speeches there.
The most amusing thing I saw all night? The Modern Family promo where the characters had a movie-themed night of charades.
What'd you think of the Oscars, both the winners/losers and the show itself?
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