Showing posts with label A Tale of Two Cities. Show all posts
Showing posts with label A Tale of Two Cities. Show all posts
Monday, March 14, 2011
That's Right, I'm Back . . . and Winning (Even Without the Tiger Blood)
I’ve returned from my self-imposed blogging break fresh and ready to go and, still, frankly, in awe of the odd specter that is now Charlie Sheen, an irresistible car wreck from which I, and scores of others, cannot help but watch, no matter how dirty you feel after you've watched him (or followed him on Twitter).
I’ve finished editing my top secret manuscript (Winning! . . . I’ve been invoking the self-proclaimed warlock’s exclamation pretty frequently, much to my own personal dismay and shame) and have dispatched it to some folks who I trust to tell me whether they think it’s publishable or total bunk. With my manuscript out of my hands for the time being, I’m back to the business of writing about all things pop culture and politics here on this blog . . .
Big Love’s Almost Over
I'm going to start with the second-to-last episode of Big Love. As far as I'm concerned, the end can't come soon enough as I've now lost my faith in the show's writers. Don't get me wrong, I used to call Big Love one of my favorite shows. I was fascinated by its unique twist on the suburban family and on the subject of what it means to be a wife and a husband, particularly when there's more than one wife in the picture. I thought the show was at its best when it had a smaller, home-based focus and examined the relationships between people and what happens when your vision of what makes a family conflicts with the view held by society.
Then the Big Love writers got bigger, wilder storylines in their minds. And they just couldn't help themselves. They started writing more and more eccentric, out-there stories, trying to (artificially) amp up the tension more and more, pour on the violence and the insanity until it got to the point last season when it was just ridiculous.
I had hopes that this season would improve. It started off promisingly, but, as with last season, it's gone to far afield and my expectations for the series finale are pretty darned low right about now, which is a damned shame. (I did a more thorough episode review on CliqueClack TV.)
Any Big Love fans in the house? What have you thought about its last season? What do you want to see in the finale?
Now Reading . . . Jane Eyre
During my blogging break I finally finished reading A Tale of Two Cities for the very first time. I slugged through the first 30 or so pages, impatient for the story to seize me in its grasp, when it, at last, become entertaining. The twists and turns that it took came as a surprise to me and now I finally get all those “Madame Defarge” references people have made in political contexts. They’re not complimentary.
Completing the Dickens classic made me hunger for another classic. Seeing the preview for the latest cinematic incarnation of Jane Eyre made my selection for me. When I was but an ungainly, awkward, too-tall of a junior high gal, I read Charlotte Bronte’s Jane Eyre multiple times over. But since that was a very long time ago, I realized, once I started reading Jane Eyre, that I’d forgotten 90 percent of what happened in the book.
As I waded through the first 60 pages, I was taken by how many similarities there were between the 10-year-old orphaned Jane – unloved tortured, abused (physically and emotionally) by her aunt and cousins, made to watch while her cousins celebrated holidays and open presents while she was excluded – and Harry Potter. It was eerie. (I’ve got Harry Potter on the brain because my husband and I are still reading the J.K. Rowling series out loud to our 9-year-old son. We’re almost done with the fifth book, Harry Potter and the Order of the Phoenix.) Harry too was an orphan, treated abysmally by the Dursleys, reared by them to think he was wicked and bad, and, in the human world, he too was poor, though his parents had money in the wizarding world. However, I’m sure, if I have any shred of memories left from my previous readings of Jane Eyre, that the similarities between Jane and Harry will end shortly as I continue reading.
It's good to be back!
Wednesday, January 5, 2011
Unlike Most, I Didn't Like 'The Girl with the Dragon Tattoo'
It’s been impossible to not take notice of The Girl with the Dragon Tattoo series. The books have been everywhere with their unusual covers wrapped around what promises to be a compelling tale featuring a butt-kicking leading character in the mysterious Lisbeth Salander. My parents read the first book. My sister-in-law bought it too. A local book club designated it as a monthly selection. The books were turned into films. So, several months ago, I thought I’d give it a whirl.
In fact, you might’ve noticed that in my “Currently Reading” tab on the right-hand column of this blog, the image of The Girl with the Dragon Tattoo had been sitting there for months. And months. Usually it doesn’t take me months to get through a book, unless of course, I’m having trouble getting through it. Such was the case with this book. Damn did it disappoint me. It completely failed to grab me by my shirt collar and demand that I ignore everything else and read it. (The last time a book did this to me was when I re-read The Great Gatsby last year and couldn’t stop reading.)
As I plodded 100 pages into Tattoo, I was so thoroughly bored that I kept wondering what all the fuss was about. Usually, I love books about reporters, being a former newspaper scribe myself, but with this one -- about a disgraced investigative journalist trying to solve a mystery and a computer hacker/investigator who teamed up with him -- I was struggling to keep my eyes open.
When there finally was some action, I was distinctly underwhelmed. The only reason I stuck with it – other than to find out what actually did happen to Harriet Vanger – was because I wanted to see why this series of book is omnipresent in pop culture right now. Now that I’ve gotten to the end – finished it when I was feeling a bit better as I battled with the flu germs which were harassing me – I still don’t understand why this book is such a hit. (I can’t speak for the other two books – The Girl Who Played with Fire and The Girl Who Kicked the Hornet’s Nest – since I haven’t read them and doubt that I ever will.)
Then I read this post from Entertainment Weekly’s Henry Goldblatt who wrote a wry commentary about the phenomenon of the series saying:
“I hate The Girl with the Dragon Tattoo series. To many, that is the equivalent of saying, ‘I kick puppies,’ or ‘I choke babies,’ or ‘American Idol is the best show in the history of television.’ Swedish author Stieg Larsson’s crime trilogy about crusading journalist Mikael Blomkvist and his hacker lover/pal Lisbeth, in my view, is poorly written, ridiculously plotted and (yawn!) incredibly tedious.”

Anyone else out there find the Tattoo book didn’t live up to the hype?
In the meantime, I’ve started a classic which I’ve never read and, for some reason, think it’s now time that I do: Charles Dickens’ A Tale of Two Cities.
I’m also toying with the idea of tackling a whole bunch of classics which I’ve never read this year, or ones which I read in high school and didn’t fully comprehend at the time, but haven’t wholly bought into the idea.
Image credits: Entertainment Weekly and Audio Editions.
In fact, you might’ve noticed that in my “Currently Reading” tab on the right-hand column of this blog, the image of The Girl with the Dragon Tattoo had been sitting there for months. And months. Usually it doesn’t take me months to get through a book, unless of course, I’m having trouble getting through it. Such was the case with this book. Damn did it disappoint me. It completely failed to grab me by my shirt collar and demand that I ignore everything else and read it. (The last time a book did this to me was when I re-read The Great Gatsby last year and couldn’t stop reading.)
As I plodded 100 pages into Tattoo, I was so thoroughly bored that I kept wondering what all the fuss was about. Usually, I love books about reporters, being a former newspaper scribe myself, but with this one -- about a disgraced investigative journalist trying to solve a mystery and a computer hacker/investigator who teamed up with him -- I was struggling to keep my eyes open.
When there finally was some action, I was distinctly underwhelmed. The only reason I stuck with it – other than to find out what actually did happen to Harriet Vanger – was because I wanted to see why this series of book is omnipresent in pop culture right now. Now that I’ve gotten to the end – finished it when I was feeling a bit better as I battled with the flu germs which were harassing me – I still don’t understand why this book is such a hit. (I can’t speak for the other two books – The Girl Who Played with Fire and The Girl Who Kicked the Hornet’s Nest – since I haven’t read them and doubt that I ever will.)
Then I read this post from Entertainment Weekly’s Henry Goldblatt who wrote a wry commentary about the phenomenon of the series saying:
“I hate The Girl with the Dragon Tattoo series. To many, that is the equivalent of saying, ‘I kick puppies,’ or ‘I choke babies,’ or ‘American Idol is the best show in the history of television.’ Swedish author Stieg Larsson’s crime trilogy about crusading journalist Mikael Blomkvist and his hacker lover/pal Lisbeth, in my view, is poorly written, ridiculously plotted and (yawn!) incredibly tedious.”

Anyone else out there find the Tattoo book didn’t live up to the hype?
In the meantime, I’ve started a classic which I’ve never read and, for some reason, think it’s now time that I do: Charles Dickens’ A Tale of Two Cities.
I’m also toying with the idea of tackling a whole bunch of classics which I’ve never read this year, or ones which I read in high school and didn’t fully comprehend at the time, but haven’t wholly bought into the idea.
Image credits: Entertainment Weekly and Audio Editions.
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