Showing posts with label Mad Men Dark Shadows. Show all posts
Showing posts with label Mad Men Dark Shadows. Show all posts

Thursday, May 17, 2012

Mad Men Characters as Comic Book Stars, in Ad Campaigns, Plus Other Mad Men News

The peerless Mad Men-obsessed illustrator Dyna Moe has created quirky new Mad Men images for those of us who simply can't get enough of the period AMC drama.

In addition to her book, Mad Men: The Illustrated World where she interpreted key scenes from the show in colorful illustrations, she keeps a Flickr stream where she uploades images inspired by the 1960s show.


Her latest pics have placed Mad Men characters into ad campaigns which complement their storylines, or as comic book heroes/villains or even on album covers.

Love.

Be sure to check out Sally as Nancy Drew, gal detective.

In other Mad Men news:

Jessica Pare, otherwise known as Megan Draper on Mad Men, is on the cover of New York Magazine's television-centric issue this week, talking all about her infamous "Zou Bisou Bisou" scene in the season premiere, becoming Don Draper's wife and the intriguing bit of trivia that she initially auditioned to be the prostitute who slapped Don in the face last season before landing the part of Megan.


Meanwhile, my retinas remain scarred from seeing Alexis Bledel -- forever Rory Gilmore from the Gilmore Girls to me -- in smarmy Pete Campbell's fantasy in the "Dark Shadows" episode, wearing a fur coat and underwear while trying to seduce Pete at the office.

In an interview on the Mad Men web site, Bledel said that her character Beth Dawes, a depressed housewife who sought out a fling with Pete, is intriguing. "I instantly wanted to know more about her because she's quite mysterious and she's conflicted," Bledel said. ". . . I felt for her right away. She is stuck in a bad marriage that is really taking a toll on her psyche I think, so I just wanted to explore what that meant for her."

I just keep picturing Bledel in season one of Gilmore Girls in the "That Damn Donna Reed" episode where Rory dressed up like a 1950s housewife, complete with faux pearls, serving up steak and instant potatoes to impress her boyfriend Dean. I know, I know, Bledel is in her 30s now. She's no longer a teen. And that episode aired way back in February 2001, but even now, you've got to admit, she still looks very young, way too innocent for the likes of Pete Campbell.

Image credits: Dyna Moe/Nobody's Sweetheart, New York Magazine and TV Fanatic.

Tuesday, May 15, 2012

Mad Men -- Everybody's Lookin' Out for Number One

*Warning: Spoilers ahead from the latest episode of Mad Men.*

"You are not loyal. You only think about yourself." -- Peggy Olson to Roger Sterling after Roger gave a new copywriter extra work (and cash) instead of asking Peggy.

Everybody's got an agenda, and it's all about benefiting the person they see in the mirror every day.

Betty, who doesn't seem to want what she has but wants what she can't have (food, Don's affection/respect/confidences), wants to make Don and Megan miserable so she'll feel better about herself, particularly after getting a glimpse of the slender Megan when she was getting dressed.

Don, who hasn't been exercising his creative muscles lately, wants to best an up-and-coming copywriter so he'll feel better about himself and doesn't play fair when he uses his seniority to trump the guy.

Pete -- who, like Betty, doesn't want his life or his spouse -- daydreams about sexy dalliances with a woman who's married to the guy with whom he commutes to work every morning. That's when he wasn't off trying to promote himself and only himself, excluding other members of his firm . . . only to fail miserably in his public relations efforts. (Have I mentioned how much I hate Pete Campbell? Snake.)

Roger, who ditched the loyal mother of his first child for a younger wife who he also dumped after he grew bored with her too, wants to sully Jane's new digs so he'd be the first man to have her in her apartment even though Jane expressly said she wanted a fresh break from him, after she extracted a bribe from him in exchange for accompanying him to work dinner.


Everybody's a selfish git in this episode, scheming and maneuvering about how to handle situations in ways which are beneficial to themselves. Even characters who have always been selfish -- Don, Roger, Pete -- demonstrated a little extra self-absorption at the expense of others in their workplace with Don smacking down an employee whose efforts could help Sterling Cooper Draper Pryce's bottom line, Roger blowing off Peggy who'd helped him in a pinch and Pete who was only looking out for himself and not his ad agency when he made his bid for New York Times publicity.

The cruelty we saw that was personal in nature was rooted in each character's insecurities. Betty, unhappily overweight, wanted to hurt Don and his thin trophy wife by not only trying to wreck Megan's warm relationship with Sally, but by telling Sally about Anna Draper, hoping to damage Sally's relationship with her father. Roger, who didn't like the notion of being replaced in Jane's bed by the twentysomething son of a client, wanted to wreck Jane's fresh start. Megan's friend Julia, who was trying out for a role that Megan said was fairly lousy, lashed out at Megan for being freed from having to audition for crappy scripts because she sits on an affluent "throne" courtesy of her husband's money.

Nobody seems happy with anybody. Nobody seems nice to anyone else, except for Henry, who chose not to tell his weight watching wife that he was starving after all the low-calorie dinners and fried up his own steak in the middle of the night, hoping she wouldn't notice. (Henry already demonstrated his insecurities earlier this season when he didn't tell Betty that Don had called to inquire about her health after she feared she had cancer.)

By the way, what is up with Megan being barefoot all the time? Is this supposed to represent a new, freer, youthful, late 1960s kinda vibe? It certainly contrasted with Betty who showed up in Don's apartment looking like the 1960s housewife she is.

Image credit: Michael Yarish/AMC.