'Lost' Goes Spiritual in 'The End'

*Warning: Spoilers ahead from the last ever fresh episode of Lost.*

Live together, die alone.

'Lost's' 'What They Died For' Sparked Nostalgia and Sadness About the Coming End to the Saga

I could feel it coming on as I watched the second-to-last episode of Lost, “What They Died For.”

When the episode began with a close up of Jack’s eye -- as episodes have done twice before, including in the pilot -- it immediately kicked in: The nostalgia, the feeling that I didn’t want this to end, no matter how maddening, confusing and sometimes frustrating Lost can be.

I realized that I actually DIDN’T want ghost Jacob to sit down at a camp fire -- looking like something taken from the show Survivor -- with the three remaining candidates plus Kate, and give us answers, like why Kate’s name was crossed off (because she became a mother).

I actually didn’t want to hear Jacob tell Sawyer, Hurley and Jack that they’re flawed, alone, had huge holes in their lives and because of those things made for good candidates to protect the light inside the magic golden drain pipe, the light in the center of The Island that’s the key to all life. ("I didn't pluck any of you out of a happy existence . . . I chose you because you were like me. You were all alone. You were all looking for something that you couldn't find out there. I chose you because you needed this place as much as it needed you.")

I didn’t want to see Jack step forward and accept that responsibility, to become the new Jacob, the chosen one, as I always assumed he would. (A key moment: Jacob said he wanted to give the candidates a choice -- calling upon their free will -- to accept the responsibility of being The Island’s protector, as opposed to having it imposed upon them as it had been on Jacob by Allison Janney. Though one could argue that Jacob certainly manipulated the situation into occurring, not giving them much choice.) This scene led to the best line of the episode which was uttered by Sawyer, "And I thought that guy had a God complex before."

The realizations that I didn't want to know these things surprised me, because in order for me to get these answers means that Lost is really ending.

By contrast, I found myself being more intrigued by the sideways-flashing Desmond who was using an odd series of maneuvers to bring the Oceanic 815 passengers back together in a bid to get them to remember their exploits on The Island, pre-Jughead. (Sideways-flashing Desmond reminded me of Jacob.)

The brutal beating of Ben Linus -- whom I was happy to see got more than a one-minute scene -- at the hand of Desmond triggered Ben’s amber-tinted recollections of Island life, much to my glee. Seeing Hurley bribe cop Ana Lucia to let the prisoners -- Desmond, Sayid and Kate -- go free was similarly awesome, as was seeing Ben have dinner with a beautifully cleaned up Rousseau who told Ben that he was like a father to her daughter Alex, causing Ben to choke up with emotion.

Back on The Island, Ben proved himself to be a delightful villain once again by betraying Charles Widmore and telling Smoky Locke that Widmore was hiding in Ben’s secret room behind the bookcase. Why did Ben cooperate? Because Smoky Locke offered Ben The Island -- once Smoky Locke leaves it -- in exchange for Ben killing some people on Smoky Locke's behalf.

Just before Ben plugged Widmore with some lead -- payback for having Ben’s daughter Alex killed (“He doesn’t get to save his daughter.”) -- Widmore shared with Smoky Locke the fact that Desmond is some kind of a “fail safe” who, if all of Jacob's candidates were killed, could be used to destroy The Island, the one Jack had just vowed to protect with his life, by way of protecting all human life from the snuffing out of The Island’s inner light.

Sure, “What They Died For” had flaws and left us with more questions. (Why couldn’t Jacob have just remained a ghost-like presence to help Jack instead of dying when the camp fire went out? Why have Jack be a father in the sideways-flash? Why did Jacob appear as a kid to Hurley and then as an adult? If Jacob crossed Kate off because she became a mother why did she have to get on that plane the second time?) But in my present mood, feeling nostalgic and all, I embraced all the chaos of "What They Died For" as I look forward to the big finale which’ll take up a bazillion hours of ABC programming on Sunday. My hopes are very high for the finale. I've got my fingers crossed that I'm not disappointed.

What did you think of “What They Died For?” Did it meet your expectations? Oh, and what the hell did Smoky Locke do with Richard, he who shall have eternal life?

Image credit: Mario Perez/ABC.

'Wired's' Got Lots of Intriguing 'Lost' Coverage

Wired Magazine has a large package of stories/interviews about Lost, including an interview with the show's mastermind showrunners Damon Lindelof and Carlton Cuse, a short article on the show's continuity expert and a piece on various Easter eggs that either wound up having significance or were red herrings (that drawing by the young John Locke, of what looks like a Smoke Monster -- see below -- freaked me out).

Below are a few quotes of relevance from the Lindelof/Cuse interview in Wired:

Question about the sideways flashes: "You now have two timelines: life after the hydrogen bomb is detonated and life as if the plane had never crashed. Will season six end up making sense of how these two timelines fit together."

Lindelof responded:

"In previous seasons it was very clear that this happened before, and this happened after. Now you watch and you go, 'I don't know when this happened, because things are different.' It's not just what would have happened if the plane landed; now Jack has a son and there are these changes.

 The audience is saying, 'I hope they explain the relationship between these two stories,' and that, to us, is the only answer we owe. Because at this point, the characters are not aware that there's any timeline other than the one they are in. But if they were to become aware of the parallel worlds, what might they do about it? That becomes a fundamental question."

When asked whether the show will ultimately be shown to be a "man of faith versus man of science" story, Lindelof and Cuse have a variety of answers.

Lindelof said:

 "That’s right. It’s order versus chaos, which is what it always was. But first it had to start as science versus faith, because Jack is a doctor and Locke is a guy who got up from his wheelchair and walked. Now the question has been boiled down to its essential root—is there a God or is there nothingness?"

Another question was if there are "questions for which any possible answer is not as interesting as the question would be before you knew the answer." To this, Cuse said:

"These heady questions are ultimately unanswerable, and we know the audience is hoping that those things are going to be answered. The great mysteries of life fundamentally can’t be addressed. We just have to tell a good story and let the chips fall where they may. We don’t know whether the resolution between the two timelines is going to make people say, 'Oh, that’s cool' or 'Oh, f--- those guys, they belly-flopped at the end.' But the fact that we’re nervous about it and that we’re actually attempting it—that is what we had to do. We had to try to make the dive."

Don't know if this bodes well or ill for the prospects of some of my most pressing Lost-related questions will be answered by the time Lost airs its last scene.

Image credit: Wired Magazine and ABC (for the Locke drawing).

'Lost:' Comparing Jack's Plane Rides, Plus New 'Lost Untangled' Video

*Warning, spoilers ahead from the recent episode of Lost.*

I wasn't on the internet late Tuesday through yesterday -- pressing family matter -- therefore I haven't yet been able to weigh in on the first episode of the final season of Lost. I'm going to echo what Grey's Anatomy creator Shonda Rhimes wrote on Twitter today, "Saw LOST twice. Am very confused. Am happy about the chance to be confused over LOST again."

Well, I've only seen the premiere but a single time, however I'm planning on watching it a second time with The Spouse when he's available. And I too, like Rhimes, am very happy to be once again scratching my head trying to figure out what the heck's going on on Lost.

Some reactions: