Showing posts with label Greg House. Show all posts
Showing posts with label Greg House. Show all posts

Monday, March 29, 2010

Notes on Politics & Pop Culture: Bye-Bye Bauer, Ethics on 'House'/'Grey's,' and Are Kids Getting Screwed on Health Care?

Bye-Bye Bauer

This current eighth day will be Jack Bauer’s last very bad day. Fox announced over the weekend that it is ending the 8-year-old series, though there’s talk of a 24 movie, which’d be approximately 22 hours shorter than one of Jack’s bad days.

The New York Times ran an interesting story examining the impact of the terrorism-centric series on TV, on the actions of actual U.S. interrogators in the field and on U.S. policy:

24 first captured America’s attention in late 2001. The first season, which involved the explosion of a passenger plane and an assassination attempt on a presidential candidate, entered production well before the 9/11 attacks, but had its premiere eight weeks afterward. At the time, a review in the New York Times noted the ‘deadly convergence between real life and Hollywood fantasy.’ . . . The series enlivened the country’s political discourse in a way few others have, partly because it brought to life the ticking time-bomb threat that haunted the Cheney faction of the American government in the years after 9/11.”

While I’m on the subject of 24 . . . a few weeks ago I wrote that I’d become irritated by some wildly inane plot lines – particularly the Dana Walsh/Jenny one – on this final season of 24. In the past few weeks, however, things have markedly improved. I think it had to do with the fact that Dana/Jenny’s idiot ex-boyfriend is finally out of the picture, though I haven't warmed to Dana any and I'm still waiting for Brian Hastings to stop walking with a hunch. But I do I like the bomb-at-CTU line.

Ethics on House & Grey’s Anatomy

If you’ve ever watched House or Grey’s Anatomy, I have a question for you: Do you think that the medical professionals portrayed on those dramas behave ethically?

Dr. Greg House routinely dispatches his associates to patients’ homes to search the homes for clues to help him figure out medical mysteries. He employs duplicitous means to administer the treatments he thinks the patients should have, sometimes without their consent or against his boss’ orders. Grey’s Anatomy is rife with intramural bed hopping, bosses regularly sleeping with subordinates, and interns who do things do unsanctioned surgery on one another and cut the L-VAD wire of a heart patients to make him look sicker than he was in order to move him to the top of the transplant list.

So who out there actually expects these characters to be pillars of medical ethics?

Apparently some folks at Johns Hopkins were, at least enough to engage in a year-long study assessing the level of medical professionalism and bioethical issues addressed in one year of each show: “The results indicate that these programs are rife with powerful portrayals of bioethical issues and egregious deviations from the norms of professionalism and contain exemplary depictions of professionalism to a much lesser degree.”

One of the areas which had the most infractions? Sex. “The next most commonly observed departure from professionalism was sexual misconduct, with 58 incidents notched by the second season of Grey’s Anatomy and 11 in House," noted a Baltimore Sun’s TV blogger.

Kids Getting Screwed on Health Care?

I was among those who spent last weekend riveted to, of all things, C-SPAN, watching the “debate” on the health care reform bill (the NCAA tournament was in the picture-in-picture function). I had the TV on all afternoon, during dinner and through the evening, but fell asleep before President Obama’s speech just shy of midnight after the House passed the Senate’s version of the legislation. I watched the televised signing ceremony on Tuesday which, you might have heard, was considered a “big f*&%in’ deal” by the vice president.

An avid follower of the issue, I was frequently disgusted by the dialog and slimy tactics which accompanied the debate/negotiations, and was disheartened when people seem uninterested in engaging in authentic conversations about their genuine concerns without reflexively retreating back into their ideological corners, not even attempting to find a middle ground nor trying to reflect where the American people are on some health care reform issues.

After the health care reform bill became law, all kinds of things were promised. Some things were supposed to change immediately, like the fact that kids with pre-existing conditions were supposed to be able to get health insurance. The New York Times quoted the president saying earlier this month, “Starting this year, insurance companies will be banned forever from denying coverage to children with pre-existing conditions.” That’s an issue on which I think people of most stripes can agree, making sure sick kids obtain the medical treatment they need.

But that aspect of the new health care reform law is being contested – as is the health care bill itself by several state attorneys general -- by insurance companies, according to the New York Times. “Insurers agree that if they provide insurance for a child, they must cover pre-existing conditions,” the paper reported. “But, they say, the law does not require them to write insurance for the child and it does not guarantee the ‘availability of coverage’ for all until 2014.”

Why am I not surprised that we likely have no idea what’s that law will actually mean to you and me or how it’ll actually going to be implemented? I’ll bet we’re going to find out that a lot of this won’t be what it seems.

Image credit: Fox.

Monday, July 27, 2009

'House' Season 6 Promo: A New Direction?

During the All-Star Game, Fox ran a provocative promo for the House's sixth season premiere in September.

When we left off last season, Dr. Greg House had been committed to a mental institution. From the looks of this preview, he's still in there when the season begins. "What happens when the doctor becomes the patient," the ad asks. This only begs questions: Will the new season be re-booted and no longer be an explicit, diagnose-the-mystery-disease-of-the-week? How long will it feature an institutionalized House? What would that kind of a show look like and would people still want to watch it?

Despite the formulaic way in which House episodes typically unfold -- patient with a weird/rare case comes in, House & Crew try a treatment, it doesn't work, they learn something about the patient/patient's family, they try something else, it doesn't work but in the nick of time, they (usually House) figure it out and the patient (nine times out of 10) survives -- I've been drawn to the complex characters, not the cases. Having a show built around a caustic medical genius who maintains a friendship with a nice, doormattish kind of guy, supported by a cast of people who love/hate the main character, is the makings of good drama. What happens when you put that central character in an asylum?

Monday, June 15, 2009

Ball-Breakin' Nurses -- Falco & Pinkett Smith -- Takin' on Primetime

Two medical shows. Two distinctly different leading ladies playin' ball-breakin' nurses. Takin' on primetime. Move over McDreamy docs. These two would kick your overly-coiffed behinds.

On Showtime, Edie Falco from The Sopranos dissolves into her character on Nurse Jackie (Mondays), as Jackie Peyton, a morally flexible nurse addicted to Percocet who's cheating on her husband, the father of her two adorable little girls. Believe me, you won't think about Carmela after the first scene.

On TNT's drama Hawthorne (premieres Tuesday) Jada Pinkett Smith stars as Christina Hawthorne, a tough nurse in mourning, grieving the loss of her husband a year ago, and coping with her angry teenaged daughter who blames her for her father's death. Plus she's got an openly hostile mother-in-law who serves on the hospital's board (Joanna Cassidy) AND works alongside Dr. Tom Wakefield (Michael Vartan of Alias), the chief of surgery and Christina's late husband's oncologist.

I compare and contrast Falco and Pinkett Smith's shows in my Pop Culture column this week, and explain exactly how Falco's character is nothing at all like the Vicodin-addicted doc, Gregory House. With both new programs, I conclude, ". . . [Y]ou've got the makings for two smart, brave role models, the anti-Meredith Greys. No whining or indecisiveness allowed."

Image credit: TNT.

Wednesday, May 20, 2009

Season Finales Aren't What They're Cracked Up to Be

*Warning: Spoilers ahead from a variety of recent season finales*

I've come to the conclusion that, for the most part, season finales are serious let-downs. They almost never live up to the hype. And how can they, really? We viewers want drama, humor, the occasional sweet moment and cliffhangers . . . but not emotionally brutal cliffhangers that can sometimes appear out of left field. The networks just want one thing: Monster ratings, and they don't care how they happen. This means there's tremendous pressure to amp up the drama and conflict, even if they don't make sense as far as where the show has been throughout the season because without ratings there will be no show. This annually leaves us viewers with TV season finales that largely leave us disappointed and, sometimes irritated particularly if a naked, ratings-chasing maneuver is employed.

Take Lost's shocking season three cliffhanger finale. Now that was one hell of a finale. A beloved character, Charlie Pace sacrificed his own life in order to save his friends and, after three seasons of character flash-backs, Lost engaged in several flash-forwards, depicting Jack Shepherd in a future point in time longing to return to the island while, in the current time period, Jack was singularly determined to get everyone off of it. It was the gold standard of finales. A major character died in it -- doing something he thought would save the woman he loved -- but his death was beautifully and touching done. It was tough to watch Charlie drown, but it made sense for the larger story at the same time that it made viewers sad.

Compare that to Grey's Anatomy recent, fifth season finale, where it was left uncertain as to whether two of the show's original characters will live or die when season six begins. One character, Izzie Stevens, had been battling cancer, so if she had died it would've been understandable and, given the previous three-hankie episode where she was married, poetic and tragic. But instead, the show had Izzie AND George O'Malley facing death, as O'Malley was hit by a bus and potentially fatally injured. Tacky. Grey's fourth season finale ended on a much better, more uplifting note, with Meredith Grey committing to Derek Shepherd by making a "house" of candles on the plot of land Derek had picked out for their future home, even as O'Malley learned he'd failed his intern exam.

Grey's season finale notwithstanding, the rest of this year's season enders were all over the map as far as quality goes.

Lost's season ender was good, but I thought it opened up too many different and confusing themes. Whereas the season three flash-forward finale blew my mind, this season's ending frustrated me because I was (and still am) having trouble reconciling the religious imagery and overtones with the sci-fi time travel angle, plus I feel deceived about the whole John Locke-is-really-dead twist.

The 24 finale -- which had many gripping moments this season, loved President Taylor, Renee Walker and even by-the-books Larry Moss, liked the debate over the use of torture, adored the new Washington locale -- was a classic case of too much build up. The show seemed to sputter to a lackluster conclusion, particularly when there's not much drama in the Jack Bauer's-gonna-die question because we already know that Bauer lives because Kiefer Sutherland has signed on to take his 24-hour odyssey to New York City next season, provided his parole officer lets him out of LA. Kim Bauer sitting next to her father's hospital bed, coupled with the ambiguity of the resolution with the sinister Alan Wilson -- who apparently was behind all manner of badness for several seasons, including the plot against President David Palmer -- didn't hold a candle to previously powerful season finales like the death of Teri Bauer in season one, the apparent poisoning of President David Palmer in season two and Bauer being shipped off to China in the fabulous season five.

The finale for House, however, was a nice departure from the pressure to be overly, out-of-one's-depth dramatic with the last show of the season. The tone of the final 2008-09 episode was well balanced all the way through to its "what the?" ending where we learned that Greg House didn't actually have relations with Lisa Cuddy and that his hallucinations had become so severe that he checked himself into a psychiatric facility.

Friday Night Lights capped a poignant season with an episode that jumped a few months into the future and unceremoniously had Eric Taylor dumped as the Dillon Panthers' coach and instead, assigned to run the football program for a new high school whose most talented players had already been poached by Dillon. There were way too many holes and unexplained questions as to how or why the town that had been behind Taylor -- who led his team to the State Championship that season -- would so easily fire him. I'm sure next season will be just as good as previous ones, but the finale felt abrupt.

The Office ended quietly with an insane Dunder Mifflin company picnic -- and the delightfully awful Michael Scott/Holly skit where they inadvertently informed an entire branch that it was being shuttered -- where the closest thing to a cliffhanger was Pam's visit to the ER. Viewers were led to jump to the conclusion that Pam is pregnant, but that's just an inference without overt confirmation.

Contrast the low-keyed Office finale with the over-the-top Private Practice finale, where there was an accidental embryo switch leaving two women pregnant with the other's baby, the ob/gyn for a patient with a high risk pregnancy was caught making eyes at the patient's husband in front of said patient, and a pregnant shrink (who refused to figure out which of her two lovers is the father of her baby) was rendered paralyzed by a shot administered by a patient who plans to cut the therapist's baby out of her belly. This wasn't a series of episodes. These events didn't unfold over a period of weeks. It was in one finale. And it was all too much.

I'm convinced that the ratings pressure is the biggest culprit for the zany finales and the reason why viewers inevitably feel disappointed by the aggressively-promoted season finales, many of which fail to justify the hype because either they're artificially crammed with manufactured drama or because the writers have things happen that they normally wouldn't.

What recent season finales did you like? Which ones let you down?

Image credit: Fox.

Wednesday, April 8, 2009

'House' Stunner Still Creating Buzz, Backlash

*Spoilers from Monday's House ahead*

I just got around to watching the latest episode of House last night on my DVR. And, when I got to THAT scene -- the one in which Dr. Lawrence Kutner (Kal Penn) was found dead from a single, suicidal gunshot wound to the head -- I was really thrown.

I thoroughly enjoyed last week's episode which featured a patient with "locked-in" syndrome, where most of the action took place from the perspective and line of sight of that patient who couldn't move and couldn't talk. It was quite different from anything I've seen on TV. (No, I did not see the film The Diving Bell and the Butterfly.)

So I had high hopes when tuning in this week, thinking that the writers might be on a creative roll. But to see that Kutner committed suicide (not on screen), without explanation, was a shocker. Dr. Greg House spent the episode flailing about trying to figure out why Kutner did it, as House repeatedly ambled around Kutner's apartment, seeking clues, noting that Kutner had passions and interests, and never seemed depressed, despite the tragic death of his parents when he was a child. House's grief took the form of an almost inhumane brutality when he initially blamed Kutner's grieving adoptive parents, knowing full well that they likely had nothing to do with Kutner's decision to pull the trigger.

Yesterday, news reports began to circulate explaining why the actor, Penn, had left the show House; he is joining the Obama administration. Yet today, the buzz about his character's suicide has not yet abated.

The New York Daily News reported that the show's creators hope that the episode will serve as a "teachable moment" and perhaps prevent some suicides, noting that the episode concluded with contact info for the National Alliance for Mental Illness. The Daily News quoted House producer David Shore as saying that while the audience still remains surprised, so does the show's namesake. ". . . [T]he biggest impact will be on House himself. The man with all the answers doesn't have one."

The Chicago Tribune's Maureen Ryan hated, I mean absolutely HATED, this plot twist, saying on her blog:

"Everything about the death of Kutner . . . smelled of manipulation. And how about that online 'memorial' to Kutner that was advertised at the end of the show? Sigh. It just struck me as cheesy . . . How exploitative and expedient to kill him off so randomly."



While I disagree with Ryan's assessment regarding the decision to kill off Kutner's character by way of suicide -- I didn't feel manipulated, just shellshocked -- I do think the notion of an online memorial for the fictional character -- plus the Facebook page and the Fox "tribute" video -- is indeed creepy.

What do you think about the Kutner demise? Manipulative? Shocking? Brilliant?

Monday, February 9, 2009

Cuddy's Got New Mom Angst on 'House'


Cuddy + New Baby = Angst . . . at least on the Fox show House, which dealt very bluntly and realistically in its past few episodes with the scary, not-so-nice feelings that sometimes accompany parenthood.

I dedicated this week's Pop Culture & Politics column to Dr. Lisa Cuddy's transition from being a single-minded, high-powered career gal, to being a career gal with a new baby.

Image credit: Fox/Adam Taylor via this web site.

Monday, December 8, 2008

'Grey's' Spoiler on the Dizzie 'Romance'


*Fair warning*: Do not read this entry if you don't want to read any spoilers about upcoming episodes of Grey's Anatomy.

You've been warned.

All of the debating over whether Grey's has been trying to concoct a 21st century version of Ghost can, apparently, come to an end, at least according to Entertainment Weekly's Michael Aussiello who reports that the appearance of Denny Duquette to Izzie Stevens (Katherine Heigl) -- and all the "mindblowing sex" the two of them have been having when Izzie's supposed to be working -- is a manifestation of a brain condition, though not a fatal tumor as had been rumored earlier:

"According to multiple sources, Izzie's hallucinations are health-related -- and brain-related. And although the specific name of the ailment is being kept in the safe underneath of [show creator/runner Shonda] Rhimes' desk, I'm told it's similar to an aneurysm. And every time it flares up, she sees Denny. And sometimes when it really flares up, she shags him."

(Gives new meaning to "mindblowing sex.")

Many of the commenters on the EW web site were scathing with their Grey's criticism. One commenter wrote: "I used to love this show. Never missed a single episode. Now I don't think I can bare [sic] this 'ghost' any longer . . . Denny is starting to make me hate this show. I love Denny and Izzie but let the dead RIP regardless of an ailment or not!"

Meanwhile, the Chicago Tribune's Maureen Ryan, in a blog entry entitled, "I'd rather stick a scalpel in my eye than watch 'Grey's Anatomy,'" wrote:

"That's the problem with Grey's -- and the reason I still complain about it. I'm not fond of all the actors on the show, but I certainly feel sorry for the good ones. This program used to have so much promise and has trapped the good cast members in a series of outrageous developments that are not just stupid but insultingly stupid. When daytime soaps seem like Frontline documentaries by comparison, there's a problem."

I don't think that all of Grey's stories have devolved to the point where a comparison with daytime soaps is apt, but now that I know that Denny's appearance represents a medical ailment, I'll be able to enjoy Grey's and Izzie's character more thoroughly, feel sympathy for Izzie rather than annoyance at feeling as though I was being strung along in some fashion . . . provided the medical explanation is actually something that seems remotely plausible.
House, which I watch for the characters not the Italicmedical cases, does this well. During most episodes of the medical drama, I'm willing to skeptically suspend belief when truly insanely complicated cases arrive at Dr. House's doorstep if the cases can be explained to my satisfaction. If the character subplots are particularly riveting, I'm sometimes willing to overlook an over-the-top potentially fatal ailment which seems ludicrous.

If Grey's offers a somewhat plausible explanation for the hallucinations, will that make any difference to you?
Image credit: ABC.