Attention 'Grey's' Writers: Don't Make Meredith Grey a Victim. Again.

I expressed my frustration with the season eight premiere of Grey’s Anatomy in my review over on CliqueClack TV, “McDreamy is dead to me.” My chief complaint: That Derek Shepherd was a sanctimonious, calloused cold fish who abandoned his wife in her time of need. Again. (A few years ago, after the house of candles and Post-It “wedding,” showrunner Shonda Rhimes had promised viewers that Meredith and Derek were “together forever.” There’s apparently been a change of heart.)

The more I thought about it, the more aggravated I became about what’s happened to one of the few female lead characters in a drama. In a mere two hour span, Meredith Grey lost her job (because she’d tampered with Derek’s Alzheimer’s clinical trial in order to help a friend), saw her husband abandon her, got her job back (because the Chief, whose wife Meredith’s meddling benefited, took the fall for her) and then lost custody of her adopted daughter.

Why do the writers seem determined to grind Meredith Grey into the dirt? Let’s review what this character has endured since she graduated from law school and began her surgical internship in the shadow of her renowned surgeon mother:



She fell in love with a man who didn’t tell her that he was married. This man then dumped her, after she begged him to pick her, so he could give his marriage another try, then called Meredith a whore when she started dating and sleeping with other people.

She learned that the chief of surgery had a lengthy affair with her mother that led to the demise of her parents’ marriage.



She risked her life to extract a live bomb from a patient’s chest cavity and then watched the guy from the bomb squad (Kyle Chandler from Friday Night Lights) blow up, literally.

She learned that her father, Thatcher Grey, had created a brand new family and had doted on his daughters, while Meredith never saw him once he divorced her mother.



Her Alzheimer-ridden mother Ellis, who’d ignored her daughter for most of her life, told Meredith in one of her rare, final moments of lucidity that Meredith had disappointed her because she was “ordinary” and had done nothing special with her life.



She allowed herself to sink into the water after she was accidentally knocked in following a ferryboat crash. Meredith nearly drowned, just as her own mother died, hours later in Seattle Grace while Meredith was unconscious.



After she treated her stepmother in the hospital for a case of hiccups gone horribly awry and the stepmother died, her father hit Meredith in the face, later banned her from the funeral, holding her personally responsible for what happened. He later fell off the wagon and showed up at the hospital completely drunk.



Her boyfriend, who eventually left his wife Addison for Meredith, started dating other people after Meredith told him she wasn’t quite ready to commit to marriage yet but wanted to be with him. (It should be noted that Derek's demands that she commit or else he was off to date others occurred not long after the bomb squad guy had blown up, after her mother died, after Meredith nearly drowned and after her father blamed her for his wife's death and then started drinking again.)



On the day she was going to tell her “Post-It Note” husband Derek that she was pregnant, he was shot in the chest by a gunman. When her colleagues were operating on Derek and the gunman demanded that they cease operating or be shot, Meredith offered herself up to the shooter be sacrificed instead of Derek and the other doctors. One of the surgeons messed around with some wires and made it look as though Derek had died on the table so the shooter would be satisfied and leave the room. Meanwhile, Meredith crumpled to the ground in enormous grief. Meredith regained her composure once she learned Derek wasn't dead and began operating on a fellow doctor who’d been shot. Then she had a miscarriage.

Her best friend Cristina wouldn’t speak to her for some time later as she was experiencing emotional difficulties after the shooting and blamed Meredith for it.

Meredith couldn’t get pregnant again, even after fertility treatments. When she and her husband Derek got the chance to adopt a baby, an error in her professional judgment led to not only her firing, but to her husband shunning her and to them both losing custody of that baby.

If all of this had happened to me in the span of a handful of years, I'd be balled up and sitting in a dark corner someplace.

I no longer wish to see Meredith Grey, an intelligent, talented, big hearted surgeon as a victim. What’s next, have Meredith Grey get early onset Alzheimer’s like her mother? Get cancer? Become an alcoholic like her father and her father-figure (Richard Webber)? Get hit by a bus? She could go the Dr. House route and either start abusing prescription drugs and then get locked up in a mental facility or ram a car through the front of Derek’s house-in-the-making then wind up in prison. Actually, I’d prefer to see Meredith crash her car into Derek’s unfinished house because then at least she wouldn’t be the one who was victimized. At least she’d be doing something other than getting crushed and let down by the people she loves.

Fall TV Previews: 'Grey's Anatomy' Releases Season 7 Promo Posters

Grey’s Anatomy had one of the best season finales of the spring back in May with its taut, grisly shooter-in-Seattle Grace storyline. (Refresh your memory with my season six finale review for CliqueClack TV here. Just watching the video below gave me that edge-of-your-seat feeling all over again.)



Derek sustained a serious gunshot wound. Alex was shot and bleeding out. Owen was shot in the shoulder. Meredith miscarried her baby. Two Mercy Westers were murdered, one shot to the head, another shot then bled out in Dr. Bailey’s arms. The hospital staff was completely traumatized as more than one person (Owen, the Chief, Meredith) put him- or herself in harm’s way in order to save others.

When Grey’s Anatomy returns on Sept. 23, it’ll be in the wake of all this violent carnage. In the meantime, ABC has released several promotional posters for the medical drama’s seventh season all of which are a bit edgy, a long way from the emphasis on the sexcapades in on-call rooms, and all feature some take on the theme of “healing.”

About that 'Grey's' Finale . . .

*Warning, spoilers ahead from the Grey’s Anatomy season finale.*

Have you come down from that intense, highly caffeinated Grey’s Anatomy season six finale yet? Seriously.

The blood bath, the deaths, the tension. For two freakin’ hours. That’s not what I need to watch right before I going to bed.

Notes on Pop Culture: 'Good Wife' Stays Solid, 'Grey's Anatomy's' Parent Issues & 'Parenthood' Turning a Corner?

Good Wife Remains Solid

Okay Good Wife writers. You’ve got me.

My frequent complaint about your freshman drama has been that I’d prefer to see more scenes depicting the life of a political spouse/family in the wake of a humiliating sex scandal committed by the public official (a la the Spitzers, Sanfords, Clintons, Edwardes, et al) rather than load it up with legal procedural stuff. If I want to watch a garden variety lawyer show, I could go elsewhere. It’s not that I mind the legal cases, it's just that I didn’t want them to overwhelm the unique twist that makes The Good Wife different from other dramas.
That was the fear I had when The Good Wife seemed to be focusing more on getting to the truth about a criminal case or on how to deftly maneuver in the courtroom in order to secure a particular judgment.

But, overall, I have to say, the writers have done a good job of balancing the law and the personal life. Even though the latest episode “Doubt” – in which the disgraced, house-arrested Peter Florrick (Chris Noth) did not even appear – focused largely on a murder case, it did so in a way that was smart and intriguing by looking at the case from the perspective of the jury. Gold stars for not ending the episode in a rosy, optimistic note for Julianna Margulies’ Alicia Florrick’s team.

Grey’s Ponders Mixing Maternity & Medicine

Mixing maternity and medicine has been a semi-regular theme on Grey’s Anatomy since day one. We’ve known from the first handful of episodes that Meredith Grey sustained emotional damage from a childhood in which her parents divorced, her father essentially abandoned her and her mother, a successful surgeon, virtually blew her off and always chose medicine over Meredith.

In a 2007 episode, Meredith was assisting in an operation on a child both of whose parents were career-oriented and hardly ever at home. As a result, the girl bonded with her nanny more so than with her own parents. Meredith remarked that people with big-time careers should just get a cat instead of a kid because the kid needs time and attention from a mom or a dad. However the lead surgeon in the room, Miranda Bailey, a new mom, took umbrage.

Years later, Bailey, who’s now a divorced mom, has had her ups and downs with the child/career thing but seems to be in a good place right now just as other characters with high-pressure careers -- Callie Torres, McSteamy, McDreamy and Meredith -- are contemplating parenthood. I explored how Grey’s has been handling the issue of doctors having kids in my weekly Pop Culture column on Mommy Tracked.

'Nurse Jackie' Trailer Makes Me Realize How Off-Track 'Grey's' Has Gone

While watching the season two trailer for Showtime's Nurse Jackie, I kept thinking that, aside from the fact that Edie Falco kicks butt in this series, Nurse Jackie shares a whole lot of DNA with Grey's Anatomy, which, while it used to be one of my weekly guilty pleasures, has been in a creative rut. Some might argue that it's been that way for quite a while.

When Grey's first premiered in 2005, it was edgy for a network TV program. It featured characters whose moral centers sometimes couldn't be located even if they had both a flashlight and a compass in each hand. It raised provocative questions and didn't always answer them. Its leading character, Meredith Grey, was polarizing (though I always liked her) as a self-doubting, self-loathing and smart surgical intern who had serious mommy and daddy abandonment issues. Grey's constellation of characters worked insanely intense hours and, while they were (mostly) great at their jobs, in their personal lives they were almost always in a state of free-fall as marriages failed left and right. Made for great TV for a while.

Then things kind of caved in on themselves. I can't pinpoint exactly when it started. For some people, it was the hugely over-hyped, three-part ferry boat crash storyline where Meredith almost drowned in what was believed to have been a half-hearted suicide attempt, along with the "Is-or-isn't-she-dead" episode entitled, "Some Kind of Miracle" where Meredith consulted with the ghosts of Denny Duquette and Dylan -- (Friday Night Lights' Coach Taylor) otherwise known as the bomb squad guy whose remains coated her after he exploded along with the bomb in season two -- about whether she should continue living.

For others it was the two-headed monster known simply as "Gizzie," the combination formed after George and Izzie hooked up in season four. Some said that the moment Izzie began having sex with Denny's ghost in season five (for a dead guy, he sure got around), that was it, they were outta there.

I was co-hosting a podcast with Erin Kane (one of the two Manic Mommies) this week and Erin, once a huge Grey's fan, said she's given up on the show we used to gab on and on about. Same goes for one of my best college buddies with whom I used to vigorously debate whether McDreamy was a callous, selfish user.

Sara Ramirez's Silent Night/'Grey's Anatomy' Video

One of the things I really liked about the recent Thanksgiving/Christmas/New Year's episode of Grey's Anatomy -- "Holidaze" -- was the music. I went to the show's web page the day after it aired seeking to download several of the tunes (Ingrid Michaelson's Snowfall) used to amplify the mood during the emotional episode. (My favorite scenes involved Bailey and her dad, and Meredith and her de facto dad Richard).

What I was really seeking as I browsed through the list of tunes was the a cappella version of Silent Night sung by Sara Ramirez who plays Dr. Callie Torres. While I haven't yet found this particular recording made available in a downloadable form, ABC has posted a music video where scenes from the current season of Grey's are shown as we hear Ramirez's beautiful rendition plays. Enjoy.

Kim Raver on 'Grey's Anatomy,' Humanizing of The Chief, All Good Things

*Warning, spoilers ahead from the recent episode of Grey's Anatomy.*

I’m not big on trying to revive an occasionally creatively sagging TV show by haphazardly tossing a bunch of new characters -- particularly of the young and sexy variety -- into the mix just to see if the chemistry changes.

In the "absence" of its lead actress and beating heart of Grey’s Anatomy, Ellen Pompeo (she wasn't a vital part of storylines because Pompeo was pregnant and then on maternity leave) -- as well as the absence of major original cast member Katherine Heigl (who’s going to be taking another leave of absence from the show for a maternity leave) -- Grey’s spent several weeks this season trying the let’s-throw-a-hospital-merger-and-a-whole-mess-o-new-doctors-into-the-show to see if sparks of the dramatic and romantic kind ignited. And I hated it. Hated the Mercy Westers versus the Seattle Gracers. Hated the ER-ish tone. Didn’t – and still don’t – like the crop of new characters because they haven’t been fleshed out. They’re like fresh new moving parts of the scenery, akin to remodeling a kitchen when there’s something not quite right about the house surrounding it.

However last night, both Pompeo and Heigl were back, full-time (at least Pompeo was walking around instead of having to passively lie in a bed) on Grey's, though I thoroughly and vigorously don’t buy that Izzie would just abandon her new husband Alex because he supposedly “got her fired,” not after Izzie recovered from what should’ve been fatal cancer diagnosis, not after her emotional wedding ceremony to Alex as he married a woman whom he wasn’t sure was going to live out the year, not after Izzie died in his arms and was brought back to life by her now former colleagues. Alex even went to live in the woods in Derek’s trailer for her. And Izzie would leave Seattle and cut off all contact with her friends and husband because her job was the “one” thing she had left? What about the mere fact that she had a life to live? And a husband?

Izzie seemed ready to heave her career overboard after Denny died and she spent some quality time in that pink prom gown, but now her job at Seattle Grace is everything to her? She willingly risked her job for Denny with the whole L-VAD wire business, but her marriage to Alex doesn't mean as much? Sorry, I just don’t buy Izzie’s current behavior which seems out of character for someone who’s always valued relationships.

However there were two strong elements going for Grey’s last night: Kim Raver and, at long last, the humanizing of The Chief.

I was not a fan of Kim Raver when she played Audrey Raines in 24. I found her to be a whiny tool. But as a high-powered magazine editor on Lipstick Jungle, who had a philandering college professor of a husband and then she had her own affair with a much-younger, budding photographer, Raver was a perfect fit. I was saddened when the Lipstick Jungle was canceled, in part, because I wanted to see more of Raver’s Nico Reilly.

Last night Raver was introduced on Grey’s as Teddy Altman, a cardiothoracic surgeon extraordinaire who left a promising surgical practice after her best friend was killed in one of the Twin Towers on 9/11 and signed up to be an Army surgeon serving in Iraq, where she met Owen Hunt. Close friend and erstwhile love interest of  Owen's, Raver’s character seemed more fully human in a single episode – admitting to weaknesses, demonstrating strengths and an emotional range – than all of the Mercy Westers combined over the course of recent episodes. When Teddy celebrated the rain (because she’s been in the desert for so long) and then kept her cool while a child coded on the table and she waited for Cristina Yang to make the right choices in surgery, I crossed my fingers that she’ll be in this for the long-term.

Then there was Chief of Surgery Richard Webber (James Pickens Jr.). For weeks and weeks, he’s been an automaton, acting rashly and emotionally closing himself off to everyone, alienating his former friends and his wife. Last night we learned that it 's because he’s started drinking again. The Chief has always been a complex character, particularly with his relationship to Meredith Grey and his lingering guilt over his extramarital affair with Meredith’s mother which was a contributing factor to Meredith’s lousy childhood. But too often, The Chief's stories get pushed aside for newer, younger, sexier characters. But I like characters, multi-dimensional ones with whom you can empathize or at least somewhat understand on a number of levels. I’ll take those kind of characters over McSexy drones any day.

Do you like Kim Raver's character? Any predictions about The Chief? Think Izzie's actions are out of character?


Image credit: Randy Holmes/ABC.

Latest ‘Grey’s Anatomy’ Ep Felt a Lot Like ‘ER’

*Warning, spoilers from recent Grey’s Anatomy episode ahead.*


With Ellen Pompeo and Katherine Heigl sidelined for personal reasons (Pompeo just had a baby and Heigl just adopted one), Grey’s Anatomy writers have had to come up with ways to explain their absences. For Meredith Grey, it’s that she felt guilted into donating some of her liver to help save her alcoholic father, and she needs time to recuperate. For Izzie Stevens, she was fired for making a bone-headed decision at work at the same time when the Chief needed reasons to fire people as his hospital merged with another Seattle Hospital. Now she’s taken off. And is . . . somewhere.

Ever since then, Grey’s Anatomy – which I’ve liked because it’s largely been a character-driven, not necessarily action/plot-driven show – has turned into ER. Especially the latest episode. While cleverly written so that you, the viewer, felt as confused as the Seattle Grace administrators about what led to the death of a mother of a young boy who’d been in a hotel fire, there was precious little in the way of character or relationship building on a smaller, individual scale, with the exception of Lexie reacting to a teen burn victim and Arizona telling her to toughen up. The episode was almost all based on chaos in the Emergency Room – as Derek told the Chief at the end – and the hostile relationship between the two groups of competing hospital staffs. Between the groups, not the people. As individuals.
 
Back in Grey’s first season, the focus was on a group of interns, but it took the time to take each character and really examine him or her. We saw what their lives were like, personally and at work and how those affected one another. We learned their backstories and why they interacted the way they did. They felt like fully fleshed out characters, not cardboard characters about whom I don't care what happens. (I simply didn't care about the Mercy Wester getting fired last night.) The medical cases on Grey's were used as dramatic tools by and through which you could get to know the characters better. (Yes, the ferry boat accident a few years ago was over the top, but it led to the heart-breaking exploration of whether Meredith Grey was suicidal and depressed.)


Last night’s theme of “chaos” was well executed and snappy, I'll give it that. The actors were convincing. But that “I Saw What I Saw” episode, along with the one that preceded it called “Invasion,” felt much more like ER, than Grey’s. And I wanted to watch Grey’s.

Image credit: ABC.

How Many Days of Mourning on the Too-Long 'Grey's' Premiere?

*Warning: Spoilers ahead from the season premiere of Grey's Anatomy*

Yes, I sniffled while watching Callie's reaction to her ex-husband's death. I also teared up when each of George's friends -- in his or her own time and in his or her unique way -- came to terms with his passing. I'm not one who shies away from five-hankie TV shows (or else I would've stopped watching not only Grey's, but other shows like Private Practice a long time ago), but the two-hour Grey's season premiere, primarily focused on two hours of mourning, was too long and seemed to drag.

I understand that the writers were attempting to dramatize how long it takes for some people to give themselves permission to feel something as awful as the loss of a friend. In Cristina's case, it took 40+ days and she only let herself react after she and Owen slept together. For Meredith it also took several weeks and her emotional reaction was triggered by the cleaning out of George's locker. And I understand the writers were likewise trying to illustrate how Izzie's near-death in Alex's arms on the same day that George died, had a lasting impact on Alex, chiefly that he was trying to protect himself from losing the woman he loves by pushing Izzie, now an out-patient (and living in Derek's TRAILER?!) away.

Ditto for Lexie and Mark, as Lexie, initially rebuffed Mark's invitation to live with him, to shield herself from being hurt. Only the repeated appearances of Callie, Mark's neighbor, in various states of undress and walking in on Mark while he was showering, prompted Lexie to get with the program and bring some of her belongings to his apartment.

All of this, I thought, could've been handled more succinctly.

The woman who George heroically saved was sitting on the bench outside the hospital, every day, day after day. Did we really need all those scenes? I say, "No," unless she was going to somehow be folded into the show as a regular character. I was more interested in the grieving the regular characters were experiencing.

Beyond George's death, there was the business about the Chief being ousted in a potential coup by the hospital's Board of Directors. This was interesting and has potential, but the tension between Derek and the Chief didn't warrant several curt scenes that did nothing to move the story forward: Derek was offered the Chief's job, said he needed time to think about it as a strategy to get the Chief more time to strategize about how to stave off his firing. The twist at the end of the episode, where it was announced that Seattle Grace would be merging with Mercy West -- the place where Callie, filled with grief and rage, abruptly secured a new job in short order -- has long-term dramatic potential, especially in this economic climate where not only are people losing their jobs, but health care costs and the impact of cuts on patients is being debated in Washington. Could provide excellent topical commentary, should the writers choose to go there.

What did YOU think of the Grey's Anatomy season premiere?

Grey's, Grey's, Grey's

*Warning: Spoilers for the next season of Grey's Anatomy ahead*

Let's dissect some of the recent news with regard to Grey's Anatomy, shall we?

T.R. Knight spoke out to Entertainment Weekly magazine, saying that, given how little screen time his character George O'Malley got last season as compared to Sandra Oh's Cristina Yang (48 minutes versus 114 minutes), he figured there was little point in discussing with the show's creator/producer Shonda Rhimes about getting George more time.

"His surprising decision came after George's screen time was greatly diminished last fall," EW reported. "But what's even more surprising is that when it happened, Knight chose not to ask exec producer Shonda Rhimes what was going on with his character. Instead, he simply asked to leave. 'My five-year experience proved to me that I could not trust any answer that was given [about George],' he explains."

While EW speculated that bad blood had been brewing between Knight and Rhimes over the handling of the incident with former Grey's colleague Isaiah Washington (who reportedly twice invoked a homophobic slur in reference to Knight), Knight said, "The danger of going back is you're trying to pin blame on somebody, and to still be rehashing that three years later would be the ultimate craziness. I have nothing to gain by vilifying anyone."

The magazine portrayed some of his colleagues, in middle of filming the aftermath of George's death-by-bus scenes, as melancholy. E! (with the exclamation point!) reported that the cast was spotted shooting George's funeral scene.

Rhimes told EW that she'd originally planned on having Knight appear briefly in the new season, in the form of flashbacks, in order to show what actually happened to him on the day he died, including depicting him as heroically saving the woman from the bus, but that he declined saying he liked his departure next to the hospital elevator next to the gowned Izzie as is.

In other Grey's developments, EW quoted Rhimes as saying that the character Meredith Grey will not be pregnant in the show, as actress Ellen Pompeo is in real life. Pompeo will be taking a maternity leave in the fall, hence Meredith Grey will disappear from the show for a while.

This news had TV Squad's Michael Pascua speculating on what that would mean for Grey's. "Season six Grey's Anatomy is is going to be odd," he said. ". . . I understand that the title to Grey's Anatomy is a pun on the medical book, but if there isn't any actual Grey on the show then it should be spun into Yang's Anatomy or any of the other characters' last names. Would you still watch Grey's Anatomy if Meredith was gone and Lexie took her place?"

What do you think about the confirmed George death? About Meredith disappearing for a while? Think it'll be, as Pascua said, an "odd" season?

Image credit: Entertainment Weekly.

Season Finales Aren't What They're Cracked Up to Be

*Warning: Spoilers ahead from a variety of recent season finales*

I've come to the conclusion that, for the most part, season finales are serious let-downs. They almost never live up to the hype. And how can they, really? We viewers want drama, humor, the occasional sweet moment and cliffhangers . . . but not emotionally brutal cliffhangers that can sometimes appear out of left field. The networks just want one thing: Monster ratings, and they don't care how they happen. This means there's tremendous pressure to amp up the drama and conflict, even if they don't make sense as far as where the show has been throughout the season because without ratings there will be no show. This annually leaves us viewers with TV season finales that largely leave us disappointed and, sometimes irritated particularly if a naked, ratings-chasing maneuver is employed.

Take Lost's shocking season three cliffhanger finale. Now that was one hell of a finale. A beloved character, Charlie Pace sacrificed his own life in order to save his friends and, after three seasons of character flash-backs, Lost engaged in several flash-forwards, depicting Jack Shepherd in a future point in time longing to return to the island while, in the current time period, Jack was singularly determined to get everyone off of it. It was the gold standard of finales. A major character died in it -- doing something he thought would save the woman he loved -- but his death was beautifully and touching done. It was tough to watch Charlie drown, but it made sense for the larger story at the same time that it made viewers sad.

Compare that to Grey's Anatomy recent, fifth season finale, where it was left uncertain as to whether two of the show's original characters will live or die when season six begins. One character, Izzie Stevens, had been battling cancer, so if she had died it would've been understandable and, given the previous three-hankie episode where she was married, poetic and tragic. But instead, the show had Izzie AND George O'Malley facing death, as O'Malley was hit by a bus and potentially fatally injured. Tacky. Grey's fourth season finale ended on a much better, more uplifting note, with Meredith Grey committing to Derek Shepherd by making a "house" of candles on the plot of land Derek had picked out for their future home, even as O'Malley learned he'd failed his intern exam.

Grey's season finale notwithstanding, the rest of this year's season enders were all over the map as far as quality goes.

Lost's season ender was good, but I thought it opened up too many different and confusing themes. Whereas the season three flash-forward finale blew my mind, this season's ending frustrated me because I was (and still am) having trouble reconciling the religious imagery and overtones with the sci-fi time travel angle, plus I feel deceived about the whole John Locke-is-really-dead twist.

The 24 finale -- which had many gripping moments this season, loved President Taylor, Renee Walker and even by-the-books Larry Moss, liked the debate over the use of torture, adored the new Washington locale -- was a classic case of too much build up. The show seemed to sputter to a lackluster conclusion, particularly when there's not much drama in the Jack Bauer's-gonna-die question because we already know that Bauer lives because Kiefer Sutherland has signed on to take his 24-hour odyssey to New York City next season, provided his parole officer lets him out of LA. Kim Bauer sitting next to her father's hospital bed, coupled with the ambiguity of the resolution with the sinister Alan Wilson -- who apparently was behind all manner of badness for several seasons, including the plot against President David Palmer -- didn't hold a candle to previously powerful season finales like the death of Teri Bauer in season one, the apparent poisoning of President David Palmer in season two and Bauer being shipped off to China in the fabulous season five.

The finale for House, however, was a nice departure from the pressure to be overly, out-of-one's-depth dramatic with the last show of the season. The tone of the final 2008-09 episode was well balanced all the way through to its "what the?" ending where we learned that Greg House didn't actually have relations with Lisa Cuddy and that his hallucinations had become so severe that he checked himself into a psychiatric facility.

Friday Night Lights capped a poignant season with an episode that jumped a few months into the future and unceremoniously had Eric Taylor dumped as the Dillon Panthers' coach and instead, assigned to run the football program for a new high school whose most talented players had already been poached by Dillon. There were way too many holes and unexplained questions as to how or why the town that had been behind Taylor -- who led his team to the State Championship that season -- would so easily fire him. I'm sure next season will be just as good as previous ones, but the finale felt abrupt.

The Office ended quietly with an insane Dunder Mifflin company picnic -- and the delightfully awful Michael Scott/Holly skit where they inadvertently informed an entire branch that it was being shuttered -- where the closest thing to a cliffhanger was Pam's visit to the ER. Viewers were led to jump to the conclusion that Pam is pregnant, but that's just an inference without overt confirmation.

Contrast the low-keyed Office finale with the over-the-top Private Practice finale, where there was an accidental embryo switch leaving two women pregnant with the other's baby, the ob/gyn for a patient with a high risk pregnancy was caught making eyes at the patient's husband in front of said patient, and a pregnant shrink (who refused to figure out which of her two lovers is the father of her baby) was rendered paralyzed by a shot administered by a patient who plans to cut the therapist's baby out of her belly. This wasn't a series of episodes. These events didn't unfold over a period of weeks. It was in one finale. And it was all too much.

I'm convinced that the ratings pressure is the biggest culprit for the zany finales and the reason why viewers inevitably feel disappointed by the aggressively-promoted season finales, many of which fail to justify the hype because either they're artificially crammed with manufactured drama or because the writers have things happen that they normally wouldn't.

What recent season finales did you like? Which ones let you down?

Image credit: Fox.

'Grey's' Finale: A Mixed Bag of Touching Sweetness and Manipulation

*Warning: Spoilers from the Grey's Anatomy finale*

I wanted to wait a few days before I wrote something about the Grey's Anatomy season five finale because my initial reaction to the last few minutes of it was negative, very negative. Made me feel manipulated. I was ticked off.

Thus I decided to chill for a few days, put a little distance between me and the finale so I could think about it and blog after my shock had worn off. But I remain annoyed, not by the bulk of the two hours, though, which featured wonderful scenes including Paris Gellar and Matt Saracen as inspiring patients, the beautifully complicated Cristina and Owen love story, the blue Post-It Note wedding with the simple yet moving vows ("No running away." "To take care when old, senile, smelly." "This is forever."), the agonizing thought process that went into deciding whether Izzie should have the brain surgery and then her signing the DNR, the reaction of the staff to the notion of George serving in the Army (particularly Arizona's backstory about the importance of Army trauma surgeons). I'm simply annoyed with the conclusion and it's coloring my reaction to the entire finale.

Grey's fans of course knew that Katherine Heigl, who plays Izzie, and T.R. Knight, who plays George O'Malley, have had creative and professional disagreements with the show's execs/producers/writers for some time. Heigl complained that she wasn't given meaty material last season and made noise like she wanted to leave the show. Knight, according to news reports, wanted out of his contract because his character's storylines had all but disappeared. Given all of that, I couldn't help but feel as though the season finale was more about the off-camera antics than the natural, creative flow of the ABC drama.

Yes, I could see it as plausible that Izzie could die from her cancer and her risky surgery. That makes sense, no matter how upsetting it was to see Alex clutching her in his arms as she started coding. But deciding to have George hit by a bus and mangled beyond recognition? While it's true he was heroic ("a hard-core hero" as Meredith said) and that he saved a woman's life in the process, but the symbolism of being hit by a bus seemed like payback to Knight. And to have BOTH Izzie and George code simultaneously, and then feature Izzie in the same prom dress she donned when she was boarding the elevator to visit her fiance Denny who, unbenownst to her, had just died . . . this was all way too much for one finale, for five minutes of TV.

I'm not alone in being unhappy with Grey's final minutes. Here's a sample of different folks' responses to the finale, in which the fate of Izzie Stevens AND George O'Malley were left in limbo (Are they both gone? I'm not convinced.):

New York Magazine's Emma Rosenblum, in a post whose headline called the finale "A Betrayal," wrote:

"T.R. Knight's George . . . got little to no screen time this season until the finale, where he signs up for the Army and is promptly hit by a bus. This plotline really disappoints: [Show Creator] Shonda Rhimes claimed this episode would be true to the characters, but if you're familiar with George's five-season arc, his Army enlistment seems mighty suspect. He had just started his hard-won residency at Seattle Grace after failing his boards the first time around, so why would he leave now? And then he gets hit by a bus. The only believable thing? No one notices George's absence (since he was never around this season). The five minutes from when Meredith finally realizes that the no-faced man is George to when he shows up, ghost-like, in an Army uniform, is certainly not enough time to ready our tear ducts for the final farewell. No weepy goodbyes? No musical montages?"

The Baltimore Sun's David Zurawik wrote:

". . . [T]he ending for O'Malley feels excessive to me. There was . . . an expectation that T.R. Knight, the actor who played O'Malley, would be leaving the series as well, but they deftly wrote him out in Thursday's finale by sending him off to Iraq as a military combat trauma surgeon.

Was it surprising when he appeared to be the victim of a fatal traffic accident -- hit by a bus after saving a woman by pushing her out of the way of it? Yes, it was surprising. And while I suspect some will say it was a cleverly done ironic twist and even a comment on the battlefields that America's streets have become, to me it was mostly about shock value.

And while some longtime fans are arguing that there is wiggle room for the two 'dead' to return, I believe that is mostly a matter of denial on the part of those fans. But even if they are right, it is only further of evidence of the ways viewers' feelings are abused by the producers. If either of these two characters show up in any form next year -- even as ghosts -- I am going to wail away for days on this blog about the cheap and low-down way the show exploits its fans."

The web site Double X called what happened a broken contract with the loyal viewers:

". . . George's death was a big ol' eff you to the actor and to the audience. Last night George, who has been noticeably and woefully underused all season, enlisted in the Army as a trauma surgeon, which would have been a perfectly acceptable, if totally lackluster way to send him off. But getting shot at in Iraq was too good a fate for George, who instead became 'roadkill' (as one of his doctors put it) after pushing a stranger out of the way of a bus. His friends only realized it was him underneath all the swollen damage a few seconds before he coded.

George is a character Shonda Rhimes has spent five years making us care about — and she didn't even give him his own death scene. Instead he got a brutal, shocking, expedient death he had to share with the show's real star (Izzie). His violent end wasn't necessary to the plot, the character, or the story. It was just some grizzly afterthought."

However the Los Angeles Times' Mary McNamara said she thinks that the ending is indicative that Grey's Anatomy's future might on the uptick, creatively speaking after what she saw as an underwhelming season:

"All I have to say is: They better both be dead.

Grey's Anatomy limped to its season finale . . . with a two-hour episode that looked very much like one-hour episodes pushed together as we all waited in less than breathless anticipation to see if the endless and increasingly monotonous rumors were true and both T.R. Knight . . . and Katherine Heigl were leaving the show.

. . . For a moment, it seemed Knight would be deprived of even a picturesque death scene -- Izzie collapsed in Alex's arms (causing even the jaded TV critic who saw it coming to sob mildly) but George, of course, had no face. But creator Shonda Rhimes is anything but heartless and so we followed both into the Afterlife, which turns out to be an elevator, where Izzie in her prom dress met George in his dress uniform (which actually he cannot have actually received yet but whatever). The two looked at each other enigmatically and lovingly."

As if you need reminding, below is a clip of the last five minutes that everyone's STILL talking about:



What did you think of the finale? Do you think the touchingly poignant moments outweighed the shock and the uncertainty of the fates of Izzie and George?

Image credit: ABC.

TV Squad Puts 'Grey's' In the Crosshairs

TV Squad (full disclosure: for which I used to blog) has a new list out. They love lists. This time, the web site puts 10 shows in the crosshairs and targets them for cancellation. Topping TV Squad's "Series That Should be Canceled" is Grey's Anatomy, writing: "I cannot take one more minute of Meredith whining. I've reached my limit." (See why I DON'T think Meredith is a whiner and why I root for her character, here.)

Included among the other programs that TV Squad targets are: Survivor, American Idol, Brothers & Sisters, a CSI, a Law & Order and Private Practice (lots of hating on Shonda Rhimes here, although the Violet-being-held-captive-for-unwilling-C-section scenes in the season finale were patently insane, plus her refusal to test for whose baby she was carrying was annoying to no end).

I must, however, disagree with the list, at least as far as Grey's goes . . . as long as the remainder of the Grey's season doesn't go whole-hog dead Denny-ish wacko on me. If that happens, I may find myself concurring with TV Squad, but not because Meredith's a "whiner."

Is there any TV series which you wish would just be put out of its misery?

Image credit: ABC.

'Grey's Anatomy' Hits 100 Episodes with Big Wedding (?) & Sick Izzie

I've been with Grey's Anatomy since day one. I've hung in there through a series of obnoxiously preposterous storylines, like dead Denny having sex with Izzie, George/Meredith, George/Izzie, Callie living in Seattle Grace's basement even though we later learned that she has a giant tru$t fund (was that ever explained, by the way, why she was living in the basement because she was rich?).

I stuck with the show because I have a soft spot for the dark and twisty Meredith Grey (Ellen Pompeo). And not because we share the same first name. Unlike those who despise her character, dismiss it as whiny, indecisive and narcissistic, I've seen her as an emotionally embattled survivor who doesn't see the world quite the way others do. And that's what I like that about her, particularly given her circumstances.

Meredith had an absent and borderline emotionally abusive workaholic mother who never seemed to believe in her daughter. Meredith's father also abandoned her after he divorced Meredith's mother, and instead chose to love and raise his second family and blow off his only child from his first marriage. When her mother got sick with Alzheimers, Meredith had to care for her until she death. The man with whom she fell in love conveniently forgot to tell her he was married, until his unfaithful wife confronted the two of them. Then the love of Meredith's life chose to try to patch things up with his wife, all the while giving longing looks to the heart-broken Meredith who was working in the hospital. Meredith then had a bomb squad guy -- Coach Eric Taylor! -- blow up in front of and all over her. Her father, who lapsed into alcoholism, blamed Meredith for the accidental death of her step-mother. Meredith then attempted suicide and nearly died.

From the ashes of all of that, Meredith Grey emerged as a semi-sane, fiercely loyal, talented physician who still adores Derek "McDreamy" Shepherd (Patrick Dempsey), the man who jerked her around, became impatient with her emotional distress and toyed with her emotions. I respect Meredith's character and find her interesting. I've always felt that McDreamy was just a sideshow with hair gel. Meredith is the real deal, hence the show being called GREY'S Anatomy, not Seattle Grace.

However as we approach the show's 100th episode Thursday night -- which is supposed to feature Meredith and Derek's wedding -- I do so with great trepidation, fearful of more melodramatic dead Denny scenes, Izzie dying right after/before the ceremony (so Katherine Heigl will get some Emmy-worthy material) or some weird medical crisis I can't even imagine . . . yet one more thing or incident that will detract from Meredith's desire to lead a low-keyed life with her friends beside her. I'm hoping, sincerely, really hoping that the episode is not over-the-top.

Curious About George: Will He Exit 'Grey's' Too?

As Grey's Anatomy fans are adjusting to the abrupt departure of Dr. Erica Hahn and trying to figure out what the heck is going on with Izzie Stevens, comes the news that George O'Malley may leave too. The scoop-a-licious Michael Ausiello over at Entertainment Weekly (he has major Grey's sources) says that actor T. R. Knight wants to leave the hit medical drama:

"Multiple sources confirm that T.R. Knight has asked to be released from his contract, a request that both ABC and Grey's show-runner Shonda Rhimes appear poised to grant. 'They're working out the details now,' whispers an ABC insider."

This would be a shame. I see George's character as an everyman. He doesn't come from wealth (a la Callie Torres) and didn't have highly connected parents (a la Meredith Grey). He had a middle class American family upbringing and overcame the humiliation of failing his intern exam. He's the character whose flaws (the Gizzie debacle notwithstanding) are most relatable.

So if George leaves Seattle Grace, he'll leave a huge hole from which I seriously wonder if Grey's can recover. (One fan call George, as opposed to Meredith, "the heart" of Grey's.) Grey's, after all, is not ER, which, over a decade or so, has seen a cast of thousands go through its hospital doors. Grey's is intrinsically character-based, not really a medical procedural. Characters make or break it.

If George leaves, do you think it'll hurt Grey's irreparably?

Image credit: ABC.

Grey's Promo: Just Teasing About McBaby?

So Grey's Anatomy is coming back on September 25 for a two-hour season premiere. And the promo released by ABC is promising to give Grey's new catch-phrase ("Live for the moment.") a run for its money. According to Entertainment Weekly, despite what Rose tells McDreamy in the season five promo, show creator Shonda Rhimes has said that she will not torpedo the main love story -- Meredith and Derek -- with having Rose be pregnant with Derek's kid . . . Unless she was doing a little, um, misdirection. It is the presidential election season. It wouldn't be unheard of.



What I'd like to see happen this season:

I want Dr. Miranda Bailey to find some peace and happiness with her estranged husband, her child and her work. Sure, it wouldn't make for really dramatic television if everything went smoothly for Dr. Bailey, but come on. Over the past few seasons, she's had her husband in a near-fatal accident, given birth while she thought her husband was dying, was ostracized by fellow professionals for being "Dr. Mommy," almost lost her toddler son in another tragic accident and watched as her husband left her. Geeze Louise. Let's let Bailey laugh for a while. She's funny and ball-busting. Let her enjoy that.

And I want Izzie to stop making decisions that don't seem to jive with the character that's been developed over the past few seasons. No more dying love interests. No more inappropriate boyfriends. (Gizzie was one of the most God awful developments ever. Never thought anything would top the hideousness of the Meredith-George one night stand.) Katherine Heigl was right -- and not pompous -- when she said that her character hadn't been given meaty material this past season.

What do you want to see in this season's Grey's Anatomy? Do you think the promo is a red herring and that Shonda Rhimes was being truthful when she said Rose wouldn't be pregnant with McBaby?